375 results where found for «To Sing by Improvising»

Let’s Break the Morning (Rompamos la mañana)

Music piece by:
René “Popeye” Cárdenas Eugenin
Testimony by:
María Soledad Ruiz Ovando
Experience in:
Campamento de Prisioneros Isla Dawson, 1973 - 1974
Tags:
« Music was very important for us (my mother Sylvia, my sister Alejandra and myself) while my dad, Daniel Ruiz Oyarzo, 'el Negro Ruiz', was imprisoned during the dictatorship, when Alejandra was seven and I was four. »
[...]
« When visits were allowed to the detention centres, we would jump into the car and begin to sing 'El pueblo unido' (The People United), 'Venceremos' (We Shall Be Victorious), 'El tomate' (The Tomato), 'The Internationale' and many other songs. »
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To Be Seventeen Again (Volver a los diecisiete)

Music piece by:
Violeta Parra
Testimony by:
Gabriela Durand
Experience in:
Recinto CNI, Cuartel Central Borgoño, 1980
Tags:
« I was 18, and already I had been tortured on the parrilla several times. One day I was with some other comrade prisoners, and as sometimes happened, the guards put some music on. »
[...]
« I didn’t want to sing, I was embarrassed. I’d always been told that I couldn’t sing, that I was out of tune. I was standing up, feeling a mix of fear and shame, totally intimidated. »
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King Ñaca Ñaca (El rey Ñaca Ñaca)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« 'Ñaca-ñaca' was an interjection we used at Camp Melinka whenever we wanted to signal and poke fun at any dark thought that might cross our minds. That may be why it seemed the ideal name to give to the paper maché puppet that played the role of the mean king in the puppet stories we performed to entertain the children who came to visit their captive fathers. »
[...]
« At our Friday evening performances, a guitar-playing jester acted as director and he narrated the gory tale of the mean king. I wrote this song for him to sing at the beginning of the narrative. "King Ñaca Ñaca" is one of three children’s songs I composed while in prison. »
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National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« The Puchuncaví Prisoners Camp had a daily routine similar to that of military regiments. In a ridiculous ceremony, the flag was raised every morning at dawn and then it was taken down at nightfall. »
[...]
« We would arrive marching and singing military songs to the place where the flagpole was located and, when the order was given, it was our duty to sing the National Anthem. »
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Prayer So You Don't Forget Me (Oración para que no me olvides)

Music piece by:
Óscar Castro (words) and Ariel Arancibia González (music)
Testimony by:
Rosalía Martínez
Experience in:
Campamento de Prisioneros Cuatro Álamos, November - December 1974
Tags:
« When Katia Chornik contacted me a few years ago asking me to provide my testimony about my musical experience in prison, I thought I didn’t have much to say. »
[...]
« Some of those songs have remained in my memory as an indelible mark of those times, and on the whole, I cannot or do not want to sing them. I would like to tell you about one of those songs, which I never knew what it was called nor its author, nor did I ever try to find out. It was taught to us by Cecilia Bojanic, a young 23-year-old woman who was a member of MIR and who had been arrested together with her husband Flavio Oyarzún. »
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Oh Saving Victim (O salutaris Hostia)

Music piece by:
text by Saint Thomas Aquinas; music by Lorenzo Perosi
Testimony by:
Roberto Navarrete
Experience in:
Cárcel de Santiago, November 1973 - April 1974
Tags:
« The political prisoners’ cell block in Santiago Prison was established when they transferred many people from the National Stadium in October or November 1973. »
[...]
« I remember this because I’d never sung a song of this kind before. I was a complete atheist. I also felt an inner reluctance: how were we going to sing religious songs if what we normally sang were revolutionary songs? »
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National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Eduardo Ojeda
Experience in:
Campamento de Prisioneros Isla Dawson, September 1973
Tags:
« We arrived at Dawson Island on the afternoon of 11 September. All we knew was that we had been arrested in the morning - nothing else. »
[...]
« First of all, were the military songs we were forced to sing. If prisoners arrived from Pudeto, we had to sing that regiment’s anthem. »
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The Scholar (El letrado)

Music piece by:
Quelentaro (Gastón and Eduardo Guzmán)
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 – February 1974
Tags:
« From the first time I heard it, I was impressed by the way the duo Quelentaro sang this song, which was also written by them. When I sang it, I always tried to sing it in their style. I never sang it on stage, only for myself or for small groups of friends strumming guitars together. »
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Melody by Jorge Peña Hen

Music piece by:
Jorge Peña Hen
Testimony by:
Eliseo González
Experience in:
Cárcel de la Serena, October 1973
Tags:
« Jorge Peña Hen was in solitary confinement that day. I don’t know how, but someone brought him matches. With his saliva, he made ink from the phosphorus tips, which he then used to write a score of music on a scrap of paper. »
[...]
« We were very all very sad and had tearful eyes. I told my fellow prisoners, 'I’m going to teach you to sing'. »
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Dona Nobis Pacem

Music piece by:
Text from Agnus Dei (Roman Catholic Mass); music by Wolfgang Amadeus Mozart
Testimony by:
Lucía Chirinos
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, October 1973 - April 1974
Tags:
« Music was always present in my family. My dad played the violin and my mum the piano. When I was a child, my mum sent us to dance and piano lessons. »
[...]
« I thought: “I will teach them to sing a bit”. With a few fellow prisoners, we created a choir. We found an old guitar, full of scratches, and although it had poor strings, it still made a sound. »
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